um...ahh...errr...i guess...i don't know.....crap....
have done my formal Oral Presentation to the faculty
i did it unscripted talking about slides, work and what i will be doing
didn't use the word methodology once
didn't talk about art theory
but all in all
it happened
is finished
might go to the library
back from the library, eyes feel tired, ready to go lay on my bed and read art books
just have to ride in the hot sun, down the road
through the mangroves
over the bridge
up the hill, round the corner
home
am happy it is over, red rover
Tuesday, September 21, 2010
Monday, September 20, 2010
why?
i have put together my presentation, and am ready to deliver tomorrow.
yay.
there is one point that I hope someone will ask me about
why is my project called 'the casuarina tree'?
if nobody asks me then they will have not thought enough, I think.
but i am one step ahead...
if...one brave audience member asks the question...
I am going to give them maybe an answer, but a print of the casuarina tree!
yay.
if only my peers read this blog!!
haha.
yay.
there is one point that I hope someone will ask me about
why is my project called 'the casuarina tree'?
if nobody asks me then they will have not thought enough, I think.
but i am one step ahead...
if...one brave audience member asks the question...
I am going to give them maybe an answer, but a print of the casuarina tree!
yay.
if only my peers read this blog!!
haha.
Thursday, September 16, 2010
presenting....
ahhh shits
just did first run through of oral presentation and it sucked ass
feel deflated, tired and constructive
i struggle with the academic reality sometimes,
i love the research, the reading, the discovery
but damn, faculty presentations etc...
but i philosophise
one needs to discuss their work, ideas and present it to the world
so here I am...
this is what I do
and ow it relates to my thinking.
anyway, all this will pass and the work will go on.....
just did first run through of oral presentation and it sucked ass
feel deflated, tired and constructive
i struggle with the academic reality sometimes,
i love the research, the reading, the discovery
but damn, faculty presentations etc...
but i philosophise
one needs to discuss their work, ideas and present it to the world
so here I am...
this is what I do
and ow it relates to my thinking.
anyway, all this will pass and the work will go on.....
Sunday, September 12, 2010
daily dye pot....
last week in the studio
i began in earnest making a different dye bath over three days.
1. a mixture of eucalyptus bigalerita and eucalyptus ptychocarpa (swamp blood wood) leaves from the ground
made lush gold/browns
2. amyema sanguineum (Mistletoe) leaves, stems, etc.
made bright golden yellow
3. cordia subcordata, fresh green leaves/stems
made brown, sepia colours.
these are some un-doctored images of the three blended together over paint on paper.
some interesting moments occured.
especially where the pools of dye were left to seep, they made congealed edges
more concentrated resin left on the edges.
today's dye pot is:
Maleluca dealbata (Paperbark)
boiling as i type.
i began in earnest making a different dye bath over three days.
1. a mixture of eucalyptus bigalerita and eucalyptus ptychocarpa (swamp blood wood) leaves from the ground
made lush gold/browns
2. amyema sanguineum (Mistletoe) leaves, stems, etc.
made bright golden yellow
3. cordia subcordata, fresh green leaves/stems
made brown, sepia colours.
these are some un-doctored images of the three blended together over paint on paper.
some interesting moments occured.
especially where the pools of dye were left to seep, they made congealed edges
more concentrated resin left on the edges.
today's dye pot is:
Maleluca dealbata (Paperbark)
boiling as i type.
Labels:
mixtures
Wednesday, September 8, 2010
convict stain
yesterday, after many pointed crossings
i began reading 'The Fatal Shore', by Robert Hughes.
It is a canon of convict history and colonial settlement of Australia,
but even more than this,
in the opening pages
i get the essence of Australia, the basis of our collective culture
Hughes places the colonial experience in context of our national identity
and sees our history in a way, I think,
captures the melancholy reality in which were founded
and subsequent shaping of our country.
the first chapter opens ones eyes to the reality and insanity
that was the first fleet and sending of thousands of England's underbelly
to a distant unknown land
Hughes also creates the scene for the reality of Aboriginal people living in the Sydney area at the time (1788)
I am astounded that someone has pointed out the complexity, beauty and strength of the tribes of people who existed in this land for hundreds of generations. It was not a simple, congruous group of people, rather a diverse set of many multi-lingual clans, with intimate knowledge systems and connections.
But mostly, what my mind keeps returning to is the phrase....'the convict stain'.
As an artist looking at natural dyes, plants, culture, history etc, this struck a chord within my brain.
I think also of the English 'Red Coats', army supply coats of the 18th century, made from the squashed bodies and blood of Cochineal - a bug/insect grown on cactus. I found some recently
and squashed it onto a piece of cloth, the stain was memorable...
deep blood red.
so i meander in my thoughts to the convict stain...in its metaphorical nature
how our country was founded, carved and built upon the blight of England's blanket,
the stain a nation that has transformed into its own...
i think of the plants, the juice growing out of the bedrock of this ancient land
and how they have seeped into the collective conscious
how they have imprinted upon our culture
stained, dyed and fixed.
the colours are plentiful.
there is a universe of wealth inherent in this land
i remember the day Kevin Rudd made his famous 'Sorry' speech to the stolen generations
i was in my studio in winnellie
it was raining and raining
i made a painting...it was black with coats and coats of white washed over the time
i scratched back the the layers and wrote
echoed were kevin's famous words...
remove the stain of my soul.....
i began reading 'The Fatal Shore', by Robert Hughes.
It is a canon of convict history and colonial settlement of Australia,
but even more than this,
in the opening pages
i get the essence of Australia, the basis of our collective culture
Hughes places the colonial experience in context of our national identity
and sees our history in a way, I think,
captures the melancholy reality in which were founded
and subsequent shaping of our country.
the first chapter opens ones eyes to the reality and insanity
that was the first fleet and sending of thousands of England's underbelly
to a distant unknown land
Hughes also creates the scene for the reality of Aboriginal people living in the Sydney area at the time (1788)
I am astounded that someone has pointed out the complexity, beauty and strength of the tribes of people who existed in this land for hundreds of generations. It was not a simple, congruous group of people, rather a diverse set of many multi-lingual clans, with intimate knowledge systems and connections.
But mostly, what my mind keeps returning to is the phrase....'the convict stain'.
As an artist looking at natural dyes, plants, culture, history etc, this struck a chord within my brain.
I think also of the English 'Red Coats', army supply coats of the 18th century, made from the squashed bodies and blood of Cochineal - a bug/insect grown on cactus. I found some recently
and squashed it onto a piece of cloth, the stain was memorable...
deep blood red.
so i meander in my thoughts to the convict stain...in its metaphorical nature
how our country was founded, carved and built upon the blight of England's blanket,
the stain a nation that has transformed into its own...
i think of the plants, the juice growing out of the bedrock of this ancient land
and how they have seeped into the collective conscious
how they have imprinted upon our culture
stained, dyed and fixed.
the colours are plentiful.
there is a universe of wealth inherent in this land
i remember the day Kevin Rudd made his famous 'Sorry' speech to the stolen generations
i was in my studio in winnellie
it was raining and raining
i made a painting...it was black with coats and coats of white washed over the time
i scratched back the the layers and wrote
echoed were kevin's famous words...
remove the stain of my soul.....
Monday, September 6, 2010
looks like...
that's twice in a week my work has been likened to Anselm Kieffer.
that's twice in a decade my work has been likened to Peter Booth.
but i don't get that.
that's twice in a decade my work has been likened to Peter Booth.
but i don't get that.
Labels:
maybe,
no,
who cares anyway,
yes
as the sun rose....
this morning i bumped into local artist Therese Ritchie
we said hello
i told her about my project: looking at the art of native plants/botanical art
was interesting and a brief conversation
but she said something which totally resonated with me....
that the interest in botanical art for her, is the intersection where scientific/illustration becomes art....
where does botanical illustration become art?
i like this thinking....
have been looking at scientific drawings and there is something beautiful....
early woodcuts also interest me in the way that the lines become simple
anyway, Therese also said i should keep my practice of painting....
must keep on with the practice
practice, practice, practice......
we said hello
i told her about my project: looking at the art of native plants/botanical art
was interesting and a brief conversation
but she said something which totally resonated with me....
that the interest in botanical art for her, is the intersection where scientific/illustration becomes art....
where does botanical illustration become art?
i like this thinking....
have been looking at scientific drawings and there is something beautiful....
early woodcuts also interest me in the way that the lines become simple
anyway, Therese also said i should keep my practice of painting....
must keep on with the practice
practice, practice, practice......
Labels:
pracitce
Sunday, September 5, 2010
if at first you do not see...
today i realise something of vital importance...(possibly or not)
that art is at the interface of intelligence
art is the place between thoughts and action
if you like....it is the very essence of battle, fighting to solve the puzzles of the everyday
art is a battleground....to express oneself in freedom, to make a stand,
to yell at the world, which can often be silent.
i realise this as i was thinking about my Masters Research project....
i constantly feel as if trying to solve a crisis between:
thought vs. doing
abstract vs. real
representation vs. non-representation
grunge vs. beauty
history vs. contemporary
good vs. bad.
nothing really new i suppose....yet it is a critical human, artist thing
to ask vital questions and seek to discover the truth behind it all
that everything can be important and nothing also
there is a place for everyhting.
anyway...my favourite art of the minute (pictured above)
is a beautiful fence here in darwin...
i hopped off my bike to capture some of its multiple elements
it captures everything i wish to say
no more no less.
Labels:
nice fence
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